Musiques populaires, marché, nation et subjectivation Buata B. Malela Université de Limoges Abstract This article examines Polish pop music as a privileged site for analysing the transformation of the subject in post-socialist Poland. Rather than treating pop as a merely commercial or entertainment-oriented form, it approaches it as a cultural dispositif through which social positions, En savoir plus…

Figures de la musique populaire dans Le Lys et le Flamboyant d’Henri Lopes Ichola Marcel Balogoun Université de Limoges Abstract This article examines the narrative, aesthetic, and sociocultural function of popular music in Henri Lopes’s Le Lys et le Flamboyant. Far from being a mere sonic background or picturesque motif, music operates in the novel En savoir plus…

Ganesh Devy Somaiya Vidyavihar University Abstract: This paper offers reflections on the global crisis arising out of climate emergency. Within that context the question of the indigenous is examined, which is rather a solution than a problem for the modern world. The phenomenon of ‘missing women’ articulated by economist Amartya Sen in relation to food-insecurity En savoir plus…

Diane Sabatier Université de Perpignan CRESEM EA 7397 AbstractThis article examines Jhumpa Lahiri’s “This Blessed House” as a narrative of intersectional feminist emancipation within the Indo-American domestic sphere. Focusing on Twinkle’s playful appropriation of Catholic objects left by former owners, it argues that the house becomes a contested site where gender, religion, class, ethnicity, generation, En savoir plus…

Du capital vocal au sujet féminin mahorais.  Trajectoire, mémoire et médiation pop Buata Malela Université de Limoges (France) Abstract This article analyzes the work of Zily, a Mahoran singer, as a form of feminine subjectivation situated at the intersection of social trajectory, vocal memory, and contemporary mediations. Based on a framework combining Pierre Bourdieu’s sociology, En savoir plus…

Benjamin, Ruha. Race After Technology: Abolitionist Tools for the New Jim Code. Polity, 2019. Par Buata Malela Université de Limoges   Publié en 2019, Race After Technology pourrait sembler appartenir à un moment antérieur à la diffusion massive de l’IA générative, aux débats sur les robots humanoïdes et aux nouveaux régimes juridiques de l’intelligence artificielle. En savoir plus…

Compte-rendu de Bertrand Westphal, Street Art. Paysage mental Récit mural, Paris, Les Éditions de Minuit, coll. « Paradoxe », 2026, 256 p.  par Buata MalelaUniversité de Limoges La notice des Éditions de Minuit présente l’ouvrage comme une réflexion sur l’effet produit par le street art « sur le promeneur, le flâneur, son public premier », En savoir plus…

  An interview of Seema Kulkarni by Madhura Joshi and Helen Goethals Seema Kulkarni is engaged with the Society for Promoting Participatory Eco-System Management (OPPECOM), a Non-Governmental Organisation based in Pune, India. Since obtaining a Master of Arts Degree in Social Work from the Tata Institute of Social Sciences, Seema Kulkarni has worked in rural En savoir plus…